RCIC
Research Center for Industrial Culture

Thales’ Engraving Element of interactive art immanent in a time-intensive work

2022

Element of interactive art immanent in a time-intensive work

Thales’ Engraving is a work comprising still and moving images taken with a special filming method involving long-term exposure of the starry sky, and is also the title of the exhibition. The work is an allusion to the story of the ancient Greek philosopher Thales, who is said to have fallen into a ditch while gazing at the stars. Observing while moving involves relative movement, which in turn brings about complex phenomena. The records of those phenomena possess an unpredictable complexity that materializes into elegant, captivating representations. These kinds of phenomena inspired this work.

The Thales’ Engraving exhibition combined still and moving images taken by long-term exposure of the starry sky. The still images were printed on semitransparent acrylic boards and hung up in the air in a way that allows the panoramic moving images to be reflected by and transmitted through the boards. In contrast to the ever-changing, complex exhibition at the physical venue, the NFT-based online exhibition made it possible to observe the details of the work. We also presented how we installed the unique filming device as well as how we operated the device with a unique program.

  • Collaborator

    Wanda Farm

  • Duration of collaboration

    2019.04.01 - 2022.12.31

Purpose and outcome

We filmed the starry sky using a special device at Wanda Farm, which is run by Ibigawa Town, Gifu. Even though the facility is only about an hour’s cycle away from the town center, you can see a beautiful starlit sky thanks to the mountainous terrain that shuts out light pollution (i.e., light from the town). This environment inspired us to create Thales’ Engraving. What is more, that we were able to stay at (cooperation with) Wanda Farm to create the work over a long period of time is important, as well as being significant as an antithesis to urban life. Whereas regular filming is performed instantaneously from a fixed point, the production of Thales’ Engraving involved constant movement and was carried out over a long period of time while taking into account the weather and other conditions. This gave the work an element of interactive art that is characterized by dynamic change and responsive, improvised expression, which is a characteristic that modern society places much importance on. With this perspective in mind, we focused on creating a work capable of enduring display in an exhibition.

Role of IAMAS

We evaluated a variety of output methods for the photo panels to be installed in the exhibition venue, as well as developing a display arrangement that would allow effective combination of the still and moving images. We utilized IAMAS equipment (e.g., large-size printer, UV printer, projector) in the preparation process, and were able to make reliable progress thanks to the cooperation of knowledgeable staff. We carried out a trial installation of the work in spaces (e.g., gallery, hall) similar to the actual exhibition venue, which helped us sophisticate the display arrangement.

  • Venue

    Hybrid (Neort++ and OpenSea)

  • Faculty in charge

    • Masayuki Akamatsu
  • Operations

    Creation:
    Masayuki Akamatsu (Professor at IAMAS)

    Creation Advisors:
    Yui Isawa (RCIC)
    Akira Segawa (Associate Professor at IAMAS)
    Practical Cycling (IAMAS project)
    Critical Cycling (IAMAS voluntary group)

    Translation Advisor:
    Nicolas Ammon (Coordinator of International Relations at IAMAS)

    Preparation Collaborator:
    Yushi Yashima (Graduate of IAMAS)

    Record filming and photography:
    Ioto Yamaguchi (Graduate of IAMAS)

    Filming and photography collaborator:
    Wanda Farm (Ibigawa Town, Gifu Prefecture)

    Joint Creation:
    NEORT

  • Schedule

    2019.04 Began production of the artworks
    2022.06 Began producing the exhibition
    2022.09 – 12 Preparation of the exhibition meeting, management, dismantlement and recording of the exhibition