The Research Center for Industrial Culture, founded in 2011, is an IAMAS-affiliated research institution. Along with producing interdisciplinary and general research related to industrial culture, the center continues to develop and maintain IAMAS’s social functions, according to the following three axioms:
Local Collaboration / Collaborations With Industry, Schools, and Government Striving to develop IAMAS’s engagement in societal development
Cultural Activities Striving to disseminate and contribute to educational & cultural information
PR & Information Archiving Activities Promoting IAMAS’s activities widely to the public
We openly disseminate IAMAS educational research activities to society or participate in private-public as well as local collaboration. We experiment with collaborating with businesses in Gifu and other prefectures, local authorities and educational organizations, and non-profits as well as the local community.
We support or manage various cultural activities from building networks with educational and cultural organizations, campus exhibitions, events, and gatherings.
Functions include IAMAS website management, promotional material creation, the administrative and archivist functions related to the publication of the annual exhibition catalog, and lastly the record-building of intramural events. Similarly, we are putting effort into network-building and collaboration between local research organizations, researchers and our alumni network.
Our Staff is composed of three Professors (including the Center Manager), two Researchers, one Information Support Expert, one Technology Support Expert
Kyo Akabane
Focusing on interaction design, Akabane researches creative work made with technology. He develops workshops that deal with media creation, and researches archival methods for those workshops. His main activities are “Pina” (Ag Ltd.), “ex-Workshop”(Agency for Cultural Affairs Project to Support the Nurturing of Media Art Creators) and “Spatiotemporal archive for interactive art that uses 3D scanning technology” (Grant-in-Aid for challenging Exploratory Research).
Masami Hirabayashi
Born in Nagano Prefecture in 1964, Masami Hirabayashi is the sponsor of the NxPC.Lab. His research fields are communication systems and real-world interface interaction. Beginning with web structural analysis and positional-information-based research/works, he has recently been working to develop systems to enhance musical experiences. Building on his experience at countless club events, he has been developing his research through practical application at club events under the name NxPC.Lab.
Shinjiro Maeda
Born in Osaka in 1969. Maeda presents his work, which spans the categories of video, media art and documentary, at film festivals and exhibitions like the Image Forum Festival, the Yebisu International Festival for Art and Alternative Visions, and the Yamagata International Documentary Film Festival. He actively plans exhibitions, collaborating with artists from theater, art and other fields. He has been supervising director of the DVD label SOL CHORD since 2005. His web movie project “BETWEEN YESTERDAY & TOMORROW” won the Excellence Award in the Art Division of the Japan Media Arts Festival 2012. Maeda also won the 20th Keizo Saji Award (Suntory Foundation for the Arts) for the performance in which he directed the live stream, “MUSICA CRAS GIFU 2020 Masahiro Miwa Festival -Purified Night-” which was performed without an audience.
Satoshi Fukushima
He was born in 1977. A Japanese composer. He received his M.F.A. in Media Expression from the Institute of Advanced Media Arts and Sciences (IAMAS). Since 2002, he has been creating compositions based on real-time computer processing and interactive relationships with performers.
He is also a member of the band Mimiz, which experiments with improvisation and original computer-based sessions. In 2008, he began to actively compose chamber music series with Junichi Hamaji at a pace of one song per month. Among them, "an object of metamorphose", an exchange-type collaborative composition, was started on New Year's Day in 2009 and is still in progress. Some of the major awards he's received are the 2014 Japan Media Arts Festival, Excellence Award in the Art Division and an Honorable mention in the 2017 Ryuichi Sakamoto Installation Music Contest. In the RCIC, he is mainly in charge of "cultural activities" and manages, plans and assists in hosting cultural events by IAMAS for society to make an impact.
Junko Takamori
She was born in 1984 in Hyogo Prefecture, Kobe, Japan. She has been researching through action research methods from a group dynamic perspective how to create a space for sharing personal experiences of disasters. Her recent works include “A 10 year memoir - writing, reading, editing one’s personal experience with earthquake disasters'' (Coauthor, Ikinobiru Books, 2022), “Post-earthquake disaster autoethnography ‘the Group for Continuous Documentation of the Great Hanshin Earthquake’”(Sole author, Akashi Bookshop, 2023). In 2014, She received the Lue Culture Prize (Press & Publishing Section). In the RCIC, She is in charge of collaborative research with industry, schools, and government, investigation and reporting of collaborations, and management of collaborative projects for graduates. These include the “IAMAS Graduate Interviews' ' report that interviews graduate students and the “IAMAS RCIC Annual Report”.
Shoko Ito
Born in 1983 in Gifu prefecture. Her specialty is informational design. For the RCIC she is in charge of the PR relations for IAMAS. She is involved in the university websites plan creation, progress, etc. She is also in the middle of working as a freelance design director relating to graphic design and the web. In her glory days she used being left-handed to her advantage and played the southpaw position in baseball.
Shota Shiozumi
Born in Fukuoka, 1998. Creates pieces and artworks that pivot around media art such as videos and musical compositions.
In the RCIC, he gives advice to students in the Innovation Workshop relating to their works and provides technological support.
As his main accolade, his work BMX Graffiti has earned the FY 2023 Project to Support Emerging Media Arts Creators Domestic Creators Presentation Program, amongst others.
RCIC has various affiliated facilities, such as: the innovation studio, outfitted with digital construction devices and a cafe space used for meetings, events, and classes.
The RCIC staff office is situated on the 5th Floor of the Workshop24 building
A studio outfitted with digital manufacturing machines, such as: a laser cutter, CNC router, 3D printer, and 3D modeling equipment. This space is for students to develop and test their ideas through the production of tactile prototypes.
A small cafe-style open space freely available to students, staff, and professors for small lectures, meetings, and workshops
A meeting room for welcoming visiting lecturers, small classes, and meetings
Research Center for Industrial Culture
Workshop 24 F5,
6-52-18 Imajuku, Ogaki-shi, Gifu 503-0807 JAPAN
TEL: +81-584-75-6606
From Ogaki station
○Taxi: Approximately 5 minutes from the JR Ogaki Station south entrance
○Bus: Approximately 10 minutes from the JR Ogaki Station south entrance via bus bound for “SOFTOPIA JAPAN” (bus stop #3, Softopia line or Hashima line). Get off at Softopia Japan. 2-3 buses depart per hour.