Thales’ Engraving Element of interactive art immanent in a time-intensive work
Thales’ Engraving is a work comprising still and moving images taken with a special filming method involving long-term exposure of...
In the 2022 fiscal year the movement restrictions to counter the spread of Covid-19 were eased, and it is positioned as the year that projects and events began to be re-held in person at full-scale. The three “regional / industry-university-government collaboration activities, cultural activities, PR / information archive activities” events, workshops, and exhibitions that visitors and participants expected were organized in person by the Research Center for Industrial Culture (RCIC).
As for the “regional / industry-university-government collaboration activities” we collaborated with the Gifu-Kakamigahara Air and Space Museum in endeavoring on how to design the learning environment for the workshop, and we also collaborated with Ogaki-shi to plan and hold the “IAMAS Kodomo Daigaku”.
As for the “cultural activities” the “Ogaki Mini Maker Faire 2022” which is held every other year was hosted. Alongside this, the Open House and the meeting for the presentation of completed research where IAMAS is responsible for hosting was held. The contents of those events are made publicly available via the research report, and graduate exhibition catalog, etc.
As for “PR / information archiving activities”, in addition to the creation of Web and published materials, we held exhibitions at the Open House, Ogaki-shi city hall, etc. with PR posters and images.
From the next fiscal year onwards, whilst pouring even more energy into collaborative research and regional collaborations originating from the research results of our university, we want to search for further ways to create exhibition-like PR displays.
Thales’ Engraving is a work comprising still and moving images taken with a special filming method involving long-term exposure of...
The Maker Faire is a maker movement festival where makers from a range of fields, including electronic crafting, handcrafting, rob...
We developed a plan for a PR method to present information about IAMAS and its collaborative activities in various settings, and u...
As members of the Place Sense Media project launched this academic year, we have visited actual locations and converted what we fe...
IAMAS’ Community Resilience Research (CRR) project held the Neo Exhibition: Past, Present, and Future of a Place Continually Servi...
The "IAMAS Kodomo Daigaku” has been held every year since 2017 in partnership with Ogaki-shi, and it uses IAMAS’ research and faci...
The Gifu Academy of Forest Science and Culture, and IAMAS' collaborative lecture on “Digital fabrication” was held in person for t...
We cheered on the composer, Masahiro Miwa, who has come to portray himself as a unique figure in the Japanese world of music along...
Using the Oasis Parks’ glass dome as a stage, a live performance as NxPC.Lab was held. This time mixing in with current students a...
Using IAMAS’ “innovation studio” facility, collaborations developed between the museum, and a graduate of our university in design...
The IAMAS Open House is held every year and has the objective of sharing a “live feeling” with visitors through theories and pract...
An IAMAS student as part of their masters research managed and planned an event to broadcast the manga work they made, “AR comics”...
Relying on the one chronological record left at the forest’s cultural museum, the artist Ichisaburo Fujihara (1911-1975) from old-...